At last! The playlist that Spotify was made for! The Spotiguide 100 is probably the best Spotify playlist in the world, containing, as it does, the 100 greatest tracks of all time as selected by YOU.
That’s because The Spotiguide 100 is a collaborative playlist with tracks chosen by discerning Spotiguide readers. And not just any tracks – these are the songs you never get sick of, the songs you can listen to again and again. And if you don’t agree that this playlist contains the best 100 tracks in the world, then just go ahead and change it.
Feel free to collaborate and add your own favourite tracks. There are only three rules:
1. Add one, remove one. The playlist should always have 100 tracks.
2. Only one track per artist – sort by artist to check.
3. A maximum of 5 additions and removals per reader.
It’s YOUR playlist, so help us make it the best it can be. If you have any comments, post them here. Now go stick the playlist on shuffle and enjoy!
The obvious reference point for their soaring indie rock is Arcade Fire, but comparisons have also been made to Broken Social Scene, Band of Horses, The Dears, Stars, Love and even ELO. But the band also owe a debt to shoegazing genre of the early 90s that spawned bands like Ride, Chapterhouse and Slowdive.
The Besnard Lakes Are The Roaring Night has been attracting some rave reviews, currently earning it a place in the Any Decent Music? top ten. It’s had 9/10 ratings from the likes of NME and The Fly. NME called it ‘nothing short of beautiful’. Give it a spin on Spotify and see if you agree.
Carole King was one of pop music’s greatest and most prolific writers long before she found international fame with 1971′s Tapestry. King had already written hits such as Will You Love Me Tomorrow?, The Loco-motion, Take Good Care Of My Baby, One Fine Day, Up On The Roof, I’m Into Something Good and Pleasant Valley Sunday, often working with co-writer Gerry Goffin.
Tapestry was King’s second solo album, and it was a huge hit. King wrote or co-wrote all of the tracks, and included some of her favourite songs that had previously been recorded by other artists.
Eight of the album’s 12 tracks were hit singles – It’s Too Late, I Feel The Earth Move, So Far Away and Smackwater Jack for King, Will You Love Me Tomorrow for The Shirelles, (You Make Me Feel Like) A Natural Woman for Aretha Franklin, You’ve Got A Friend for James Taylor and Where you lead for Barbra Streisand.
The album itself for number one in the US for 15 consecutive weeks – a record for a female artist – but only hit number 3 in the UK. The Legacy version on Spotify also features live versions of 11 of the 12 tracks.